Joker Movie Review 2019- (The story of a villain)
Hello viewers in this post am goona show you joker movie review 2019.
Joker Movie is a 2019 American thriller film produced and directed . The movie provides a potential source story and stars Joaquin Phoenix as the joker. Set in 1981, it follows a failed comic whose descent into nihilism and insanity inspires a violent revolution against the Gotham City, Arthur Fleck. Zazie Beetz, Robert De Niro, Frances Conroy, Brett Cullen, Glenn Fleshler, Bill Camp, Shea Whigham, and Marc Maron appear in supporting roles. Warner Bros. created joker. Pictures, DC Films, and Joint Effort, in conjunction with Bron Creative and Village Roadshow Pictures, and distributed by Warner Bros.
MOVIE REVIEW
Then, one night on a subway vehicle watches as a trio of well-dressed stock agents harasses a girl. And he starts to laugh.
Each day brings a setback, a reason, a minor to stop smiling. City budget cuts strip off from his counseling. He has given a gun and loses his job for it.
BLAM! BLAM! BLAM!
Arthur asks.
The question comes freighted with a degree of irony. After all, Arthur and his adviser after a stint in an asylum are currently speaking. He takes seven types of meds--none of which seem to help one of the conditions, where he participates at the most inopportune times.
Let's face it: Gotham's people could use a fantastic smile. Violence is increasing. Social divisions have never been higher, it appears, and everything appears to be spinning out of control.
For most of his life, Arthur wanted to make people laugh--to give them a feeling of release and joy he'd never known himself. But since the agent tries to scurry up leg bleeding, the station stairs, Arthur feels a purpose.
Arthur keeps trying. He clocks in the flat elevator, anywhere: on the road, on the bus, into work daily, and hunts desperately for a new link somewhere.
He can not help himself. The laughter shoots like water from a hose from him, sounding like sobs. The agents pull him up, sidle up to him and punch at his face. He lands on the subway floor along with his assailants start to kick.
Arthur Fleck wants people.
One day, street punks steal Arthur's twirling sign, and, when he pursues them, they crush it and beat him senseless. Arthur's boss tells him that he will need to return the signal, or pay for it from his pocket when he shows up at work the following day.
He paints entertaining children each morning or indications that are spinning with one as a clown. He scribbles in a diary, where jokes blend with pornographic images and his dark thoughts. He tries his substance, some nights. He is the only one laughing some nights.
Gotham doesn't care. Its machines tears to the things they're annihilated or turn cold and hard and ruthless as the town itself.
Blood splashes from the subway car walls. Two agents slump, dead. A third tries to make his escape. However, the clown follows, gun cocked and pointed.
And he pulls on the trigger.
POSITIVE ELEMENTS
Regardless of DC Comics fides and the title, Joker isn't a movie. It is a character study of one of the most enduring villains that civilization has created.
But at its heart, the film asks a question: does society bear some responsibility Infilled with monsters? Do we? Christians can pull on a message in a mess--as we are to love the unlovable, called as God loves us.
But Arthur isn't without humanity. He spends a lot of the movie tenderly caring for her and loves his mother. He tells his boss he enjoys his job. When he loses it, it is yet another blow to mind and his self-worth. This Joker was not born bad: He had made that way, we get the feeling that Arthur's story might've turned out and if people showed him a kindness and a little patience. Likewise, a dim light shines on the plight of these dealing with illness and poverty's pathologies.
SPIRITUAL ELEMENTS
There’s no overt spiritual content here, other than a picture of Mary and the baby Jesus hanging over the bed of Arthur’s own mother.
Each day brings a setback, a reason, a minor to stop smiling. City budget cuts strip off from his counseling. He has given a gun and loses his job for it.
BLAM! BLAM! BLAM!
The question comes freighted with a degree of irony. After all, Arthur and his adviser after a stint in an asylum are currently speaking. He takes seven types of meds--none of which seem to help one of the conditions, where he participates at the most inopportune times.
Let's face it: Gotham's people could use a fantastic smile. Violence is increasing. Social divisions have never been higher, it appears, and everything appears to be spinning out of control.
For most of his life, Arthur wanted to make people laugh--to give them a feeling of release and joy he'd never known himself. But since the agent tries to scurry up leg bleeding, the station stairs, Arthur feels a purpose.
Arthur keeps trying. He clocks in the flat elevator, anywhere: on the road, on the bus, into work daily, and hunts desperately for a new link somewhere.
He can not help himself. The laughter shoots like water from a hose from him, sounding like sobs. The agents pull him up, sidle up to him and punch at his face. He lands on the subway floor along with his assailants start to kick.
Gotham doesn't care. Its machines tears to the things they're annihilated or turn cold and hard and ruthless as the town itself.
Blood splashes from the subway car walls. Two agents slump, dead. A third tries to make his escape. However, the clown follows, gun cocked and pointed.
POSITIVE ELEMENTS
Regardless of DC Comics fides and the title, Joker isn't a movie. It is a character study of one of the most enduring villains that civilization has created.
But at its heart, the film asks a question: does society bear some responsibility Infilled with monsters? Do we? Christians can pull on a message in a mess--as we are to love the unlovable, called as God loves us.
But at its heart, the film asks a question: does society bear some responsibility Infilled with monsters? Do we? Christians can pull on a message in a mess--as we are to love the unlovable, called as God loves us.
But Arthur isn't without humanity. He spends a lot of the movie tenderly caring for her and loves his mother. He tells his boss he enjoys his job. When he loses it, it is yet another blow to mind and his self-worth. This Joker was not born bad: He had made that way, we get the feeling that Arthur's story might've turned out and if people showed him a kindness and a little patience. Likewise, a dim light shines on the plight of these dealing with illness and poverty's pathologies.
SPIRITUAL ELEMENTS
There’s no overt spiritual content here, other than a picture of Mary and the baby Jesus hanging over the bed of Arthur’s own mother.
SEXUAL CONTENT
We learn that Arthur was abused as a child, although the extent of the abuse never given.
We learn that Arthur was abused as a child, although the extent of the abuse never given.
It opens, and they kiss before the door shuts behind the both of them. We see them in scenes that indicate a sense of intimacy.
Arthur frequently goes shirtless and, occasionally, pantsless. (In the latter instance, he wears a set of worse-for-wear briefs that feel uncomfortably revealing, although nothing critical really seen.) He kisses a girl for a laugh against her will. Before turning their attention to a woman sitting on the 23, the agents talk about some of their conquests. They flirt, if you can call it that, by chucking a stale fry or two in her way and leering at her.
The Gotham of Joker is a metropolis pulled in the early'80s or the late 1970s, when it was the province of peep shows and magazines that are glossy and before the Internet made porn omnipresent. Graphic marquees for movies that are pornographic glow over the streets of Gotham, and newsstands hock mags. Those magazines are only indistinct and temporarily seen on street corners, but it is apparent that Arthur has purchased his share: His joke laptop includes ladies. Their bodies are temporary as he moves through the pages of the notebook, but their faces are eliminated or scribbled out objectifying them.
VIOLENT CONTENT
We see fires burn, and individuals engage in the wild celebration. Other cars crash and careen.
Arthur smashes his head against windows and doors and, at one stage, a wire mesh divider. Arthur fires his gun, leaving a bullet hole. His mom locks herself in the restroom when Arthur disturbs and shouts her. A man gets punched in the face in a toilet: while blood flows off the counter, He stands over a sink.
Arthur shoots and kills three assailants during another beatdown; among them, as stated in the introduction, involves Arthur's cold, calculated pursuit of a wounded man who is trying to escape. His gun empties and, he seems to glory in the afterglow of the killing dance in a toilet, while fearful.
(The resulting carnage is gruesome and disturbing.) Many people are shot and killed before and during demonstrations--including one on television--, and the deaths could be graphic and jarring. A pillow smothers a lady, and two innocents--a mother and her little girl--may lose their own lives, too (although the film does not make it clear what happens to them). We see Arthur and a specialist in one scene talk; through a hallway leaving footprints suggesting that he killed her, he walks at the next.
We see him"clinic," a scene where he expects to pull out a gun and shoot himself in the head, lying as an audience on tv applauds. (He rips out a whole lot of shelves in a fridge and climbs in, almost turning it into a makeshift sarcophagus.)
The film opens with a beating. Arthur brutally kicked by assailants and is smashed over the head with a sign. (It is not the last time Arthur will suffer a wicked beatdown with no provocation.) Arthur writhes on the floor, holding his hands when the attacker's runoff. We we realize that the attack left lumps.
CRUDE OR PROFANE LANGUAGE
Nearly 30 f-words and about ten words Also, we hear"a--" (several times), "p-ss" and"pr--k," and a misuse of God's name.
DRUG AND ALCOHOL CONTENT
Arthur smokes cigarettes almost. We see he takes psychiatric meds, as stated he runs from these, and we see containers.
OTHER NEGATIVE ELEMENTS
A late-night talk show host replays and mocks a recorded clip of one of Arthur's unfunny standup routines in which he laughs uncontrollably.
During a meeting leading up to his mayoral run, Thomas Wayne calls Gotham's weak and less-successful taxpayers"clowns" and generally acts like a jerk.
CONCLUSION
"I stopped doing my medicine," Arthur tells a partner. "I feel much better today." After spending a lot of the movie attempting to conform to the expectations of society's society, he feels prepared to embrace his true self. He finds chaos, murder, and people who gravitate to his unique type of mad find it freeing.
Those whom the Joker inspires are not necessarily confined to onscreen characters , incidentally. The Joker has served as a muse for insanity and several worries it could. Really, given Joaquin Phoenix's riveting depiction of the Clown Prince of Crime and the emphasis. The film makes on his and others' social disenfranchisement (a problem very familiar to us now ), it might be argued that the film is practically courting such a reaction. In an age where so many feel horrifically woefully and lonely ignored, there is a definite pull to Joker's desire to write his name on the background in the blood of Gotham. And this fear is not to we pearl-clutches at Plugged In, sequestered. A royal reviewer has voiced Their concerns.
But definitely in the fictional universe of Joker, nobody intended for Arthur to flip killer, possibly (excepting, perhaps, the guy who gave him a gun). Joker's catastrophe is the way everyone Arthur meets undermines bit by bit, his sanity. Few planned to do. A second of meanness is a blip,but cumulatively, and consumed through the lens of mental illness that is profound, those blips end up making a monster and ruining a man. Art to dismiss the prospect of a film being a blip in the timeline of somebody else seems almost.
But definitely in the fictional universe of Joker, nobody intended for Arthur to flip killer, possibly (excepting, perhaps, the guy who gave him a gun). Joker's catastrophe is the way everyone Arthur meets undermines bit by bit, his sanity. Few planned to do. A second of meanness is a blip,but cumulatively, and consumed through the lens of mental illness that is profound, those blips end up making a monster and ruining a man. Art to dismiss the prospect of a film being a blip in the timeline of somebody else seems almost.
This is a brutal film, and it is even more due. It provides a clown to us. Gotham locates blood and seeks salvation.
Yes, Warner Brothers and director Todd Phillips are not angling to inspire copycat Jokers. Phillips told The Wrap that"We did not create the film to push buttons. I explained to Joaquin at one stage in those three weeks like,'Look at this as a way to sneak a movie in the studio system.' It was not; we would like to glorify this behavior.' It was literally like'Let us create a real movie with a real budget, and we're going to call it... Joker.'
Yes, Warner Brothers and director Todd Phillips are not angling to inspire copycat Jokers. Phillips told The Wrap that"We did not create the film to push buttons. I explained to Joaquin at one stage in those three weeks like,'Look at this as a way to sneak a movie in the studio system.' It was not; we would like to glorify this behavior.' It was literally like'Let us create a real movie with a real budget, and we're going to call it... Joker.'
But we contemporary Pinterest users are not great with circumstance. In some contemporary readings of this verse, we envision that Shakespeare is embracing a very 21st-century merit: To accept ourselves unconditionally, to do what we'd like without exaggeration, and, ideally, without any consequence.
Paradoxically, that exhortation comes after its speaker, Polonius, has only (comically) awarded his son Laertes a whole lot of advice about the best way best to behave.
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